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César Franck - Die Sieben Worte Jesu am Kreuz - Wort 4 Basse

fredipi

3:14	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
Ténor		9	1	1	6	98%
Basse		11	1	3	5	98%
Alto		10	0	3	6	98%
Soprano		11	0	3	6	98%

César Franck - Die Sieben Worte Jesu am Kreuz - Wort 4 Alto

fredipi

3:14	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
Ténor		9	1	1	6	98%
Basse		11	1	3	5	98%
Alto		10	0	3	6	98%
Soprano		11	0	3	6	98%

César Franck - Die Sieben Worte Jesu am Kreuz - Wort 4 Tenor

fredipi

3:14	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	18	5	6	100%
		16	19	3	5	100%
Tenor		9	1	1	6	98%
Basse		11	1	3	5	98%
Alto		10	0	3	6	98%
Soprano		11	0	3	6	98%

Hector Berlioz - Grande Messe des Morts, op.5 - 08 Hostias

fredipi

3:19	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	11	10	4	74%
		14	7	4	5	74%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte		25	11	10	4	74%
		14	7	4	5	74%
Basse I.		10	0	4	7	65%
Basse II.		9	0	2	7	65%
Ténor I.		9	0	3	7	65%
Ténor II.		9	0	3	7	65%

Franz Biebl - Ave Maria in B-flat major - for trio, SA., T. or B., Mixed Chorus, SATB, a capella

fredipi

7:18	Est. Play Time
52	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse		10	4	1	5	96%
Alto		14	0	3	5	89%
View all 9 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basse		10	4	1	5	96%
Alto		14	0	3	5	89%
		11	0	2	5	96%
Ténor		8	0	1	5	96%
Soprano		12	0	2	5	77%
		10	0	1	5	95%
Tenor (Baryton)		12	0	3	5	89%
Ténor solo		8	0	0	2	3%
Basse Solo		7	0	0	2	1%

Jan Dismas ZELENKA - Miserere ZWV 57, Miserere I - Soprano

fredipi

2:12	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	7	6	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	7	6	100%
Alto		9	0	3	6	56%
Basse		11	0	4	6	56%
Ténor		11	0	3	5	56%
Soprano		11	0	4	5	53%

Jan Dismas ZELENKA - Miserere ZWV 57, Miserere I - Tenor

fredipi

2:12	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
Alto		9	0	2	6	56%
Basse		11	0	3	6	56%
Tenor		11	0	2	5	56%
Soprano		11	0	4	5	53%

Jan Dismas ZELENKA - Miserere ZWV 57, Miserere I - Basse

fredipi

2:12	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
Alto		9	0	2	6	56%
Basse		11	0	3	6	56%
Ténor		11	0	2	5	56%
Soprano		11	0	4	5	53%

Franz Schubert:Die schöne Müllerin- D 795 N°16 "Die liebe Farbe"

fredipi

3:51	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte.		10	13	1	4	100%
		15	5	3	6	100%
Singstimme.		10	0	3	5	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte.		10	13	1	4	100%
		15	5	3	6	100%
Singstimme.		10	0	3	5	88%

Jan Dismas ZELENKA - Miserere ZWV 57, Miserere I - Alto

fredipi

2:12	Est. Play Time
36	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	87	9	5	100%
		18	0	6	6	100%
Alto		9	0	2	6	56%
Basse		11	0	3	6	56%
Ténor		11	0	2	5	56%
Soprano		11	0	4	5	53%

Mozart Requiem - 11b Benedictus (Allegro "Osanna") - pupitre Basse

fredipi

0:46	Est. Play Time
27	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	20	2	7	80%
		20	11	2	5	95%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	20	2	7	80%
		20	11	2	5	95%
Tenor		10	0	1	4	85%
Alto		10	0	1	5	70%
Soprano		9	0	0	5	56%
Bass		11	0	4	4	41%

Gabriel Fauré - Requiem Op.48, VII In Paradisum

fredipi

2:09	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	28	10	6	61%
		32	27	10	3	96%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		30	28	10	6	61%
		32	27	10	3	96%
Soprano		12	0	3	7	93%
Ténor		8	0	2	4	36%
Basse		11	0	3	4	34%
Alto		6	0	1	4	29%

Mozart Requiem - 04 Rex Tremendae - pupitre Soprano

fredipi

2:14	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	73	8	7	96%
		32	38	9	6	100%
View all 6 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		26	73	8	7	96%
		32	38	9	6	100%
Alto		10	0	1	9	86%
Bass		13	0	3	8	86%
Soprano		12	0	3	8	86%
Tenor		11	0	3	8	86%

Gabriel Fauré - Requiem Op.48, II Offertoire

fredipi

6:12	Est. Play Time
95	Measures
	1,127Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	61	7	8	91%
		34	52	12	8	93%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	61	7	8	91%
		34	52	12	8	93%
Ténor		16	0	4	7	45%
Alto		16	0	4	7	44%
Baryton Solo		11	0	3	7	41%
Basse		12	0	4	7	29%
Soprano		10	0	1	7	17%

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